Return of Queen Zabel of Armenia, by Armenian painter Vardges Sureniants (1909). National Gallery of Armenia.
Gold hoop with chased sloping lines; applied pair of hands, separately cast, with parrot made from a single sapphire and with beak and eyes set with rubies, 1850. India. Victoria & Albert Museum.
Portrait of Princess Alix of Hesse, future Empress Alexandra Feodorovna. Photographed in 1890.
Agate and rose diamonds kitten by Fabergé, 1907. Royal Collection. Commissioned by King Edward VII, 1907 (the Sandringham Commission)
Portrait of Nelli Jones. Photographed in 1912. Holsinger Studio Collection, University of Virginia.
Evening dress, 1857–60. The MET. This dress was worn by the donor's grandmother, Mrs. James Bonner Collins, to a White House Reception for James Buchanan (1791-1868).
After the Misdeed, by French painter Jean Béraud (1885-90). National Gallery.
Cycling ensemble, 1895. Kyoto Costume Institute.
'Wedding photo, Budapest'. Photographed in the 1920s.
Portrait of two Armenian women posing with their rifles before going to war against the Ottomans. Photographed in 1895.
Evening dress, 1916-17. Nasjonalmuseet for Kunst, Arketektur, og Design
Day ensemble, 1862. Victoria and Albert Museum.
Night light, black and gilt metal holder, and porcelain shade illustrating scenes with mothers and children, 1871-1920.
Jealousy, by Belgian painter Petrus Renier Hubertus Knarren (1861). In private collection.
'Tintype portrait of a woman smiling coyly from behind a handkerchief'. Photographed in the 1860s. San Francisco Museum of Modern Art, Photography Collections.
Boy's ensemble, 1856. The MET.
The Irritating Gentleman, by German painter Berthold Woltze (1874). In private collection.
Day dress by Mme. Lambele de St. Ome, 1891-92. Smith College Historic Collection.
Jacket, 1890s. Emily Reynolds Historic Costume Collection.
Portrait of an unidentified woman. Photographed in the 1900s.
Department store workers on their lunch break. Photographed in 1900.
Curiosity, by Italian painter Eugene de Blaas (1892). In private collection.
Portrait of an unidentified woman. Photographed in the 1880s. State Library and Archives of Florida Photographic Collection.
Wedding dress, 1879. The MET.
Sunlight and Shadow, by German-American painter Albert Bierstadt (1862). M. H. de Young Memorial Museum.
Tsar Nicholas ll wearing the costume of an Imperial Falconer to a ball held by Count Aleksandr Sheremetev. Photographed in 1894.
Portrait of Canadian outlaw of the American Old West Pearl Taylor Hart. She committed one of the last recorded stagecoach robberies in the United States, and her crime gained notoriety primarily because of her gender. Photographed in 1900.
Bridal costume with the “korvétia” motifs from Trikeri, Magnisia, Thessaly, early 20th century. Peloponnesian Folklore Foundation, Nafplion, Greece.
Evening cape, 1895. The MET.
Portrait of two unidentified women in suits. Photographed between 1900-10s.
Portrait of Kintaro Hayakawa, known professionally as Sessue Hayakawa, a Japanese actor and a matinée idol. He was one of the biggest stars in Hollywood during the silent film era of the 1910s and early 1920s.
Portrait of Japanese painter Fujishima Takeji. Photographed between 1905-10.
Three people wearing masks in New Orleans, Louisiana. Photographed in 1902-3. Louisiana Digital Library.
Portrait of Estonian strongman, professional wrestler, author, and sports philosopher George Hackenschmidt. Photographed in 1905.
Rendezvous, by Austrian painter Arthur von Ramberg (1870). In private collection.
Silver reliquary shrine of Saint Barbara by the workshop of Louis Marcy, 1880–1900. The MET.
Evening top hat by A. N. Cook & Company, 1890. The MET.
Portrait of English actress Nora Kerin. Photographed in 1907.
Portrait of James Pinson Labulo Davies and Sarah Forbes Bonetta. Photographed by Camille Silvy, 1862. National Portrait Gallery, London.
The Munitions Girls, by Irish painter Stanhope Forbes (1918). Science Museum.
Portrait of an unidentified mother and her four daughters. Photographed in Belgium, 1910.
Laskiaistiistai, by Finnish painter Gunnar Berndtson (1882). Sinebrychoff Art Museum.
View into the Heyday of Greece, by German painter August Ahlborn (1836). Alte Nationalgalerie.
The Absinthe Drinker, by Czech painter Viktor Oliva (1901). In private collection.
Portrait of Norwegian painter Frits Thaulow. Photographed by Anders Beer Wilse, 1900.
Portrait of an unidentified woman from Algeria. Photographed in 1870.
'Patient, Surrey County Lunatic Asylum'. Photographed by Hugh Welch Diamond, 1850–58. The MET.
The Life of Buckingham, by English painter Augustus Leopold Egg (1855). Yale Center for British Art.
Portrait of two unidentified women. Photographed in the 1900s.
Ladies' archery outfit from the 1860s with a pocket diary
Some of the young shrimp-pickers working at the Dunbar, Lopez, Dukate Co. Biloxi, Mississippi. Photographed by Lewis Hine, 1911.
Portrait of Shah Jahan, Sultana of Bhopal. Bhopal was unusual among the Indian princely states for having a female ruler. Photographed in 1875-76. Presented to Alexandra, Princess of Wales by her husband the Prince of Wales at Christmas 1876.
“Shipload Of Coffee Nazi-Bound Is Seized,” Toronto Star. April 29 1941. Page 34.
The Travelling Companions, by English painter Augustus Egg (1862). Birmingham Museum and Art Gallery.
Studio pictures of a couple. Photographed in the 1920s.
A young woman holds her pet dik-dik in Mombassa, Kenia. Photographed by Underwood and Underwood, 1909. National Geographic.
‘germanic warrior with helmet’ - osmar schindler (1902)